FROZEN HEATWAVE by steve dalachinsky & Yuko Otomo


by steve dalachinsky & Yuko Otomo


Collaborative poetry

Frozen Heatwaves rises from the page as a score of joyous originality. From first reading, I was drawn through the text in its entirety. Color, shape, and line build a fresh and potent linguistic surprise from artists I have long admired. Deftly composed and mutually responsive literature by these two masters reveals poetic collaboration at its finest.   -   Sheila E. Murphy

If we begin at the beginning we begin with chapter 35, in which the physiology of the central nervous system is illustrated by an image of a placard, with the word "America" typed on it, stuffed into a toilet bowl, and we think to ourselves "ok, so that's why it's called frozen heatwave." But we are easily misled and clearly mistaken. "If you see something / say worker" it says on page four and I say "workers, plural" -- one who wrote the non-italic lines, another who wrote the lines in italic, another two who edited and published the book, and a reader. There are five of us here, now six, since you have joined us. Thank yous all around. The first collage (page 11) repeats the phrase "the physiology of the central nervous system," adds a cut-away view of a Rubik's cube floating in interstellar slash neural space, where the inside meets the outside, the infinitely small meets the infinitely large, the rubber meets the road, and the cut fish climbs a graphic lattice to rejoin the cut worm, who over two hundred years ago had already forgiven the plow. A severed head meditates sleepily in the lower right-hand corner. The disembodied brain levitates beyond the first false frame. If you were in New York City between March 21 and July 23, 2017, you could have seen the Lygia Pape: A Multitude of Forms exhibit at The Met. Steve and Yuko were there. What is she saying? asks the poem. In the video at The Met website she doesn't say a word. "in the book of creation / an echo simply becomes / a spider-shaped balloon / to textualize the mystic narrative / of our birth." As a single balloon must stand for a lifetime of thinking about balloons, so each citizen expressed, in the attitude we chose, a complex of attitudes. Collage #2, page 25: the heads of Steve and Yuko floating in a neural roadmap. Now we are beginning to understand. The Frozen Heatwave is a training manual: How To Teach Your Brain To Fish. White wave-patterns on a black background. Wheat planted in a cylinder grows up into a kneeling brain. A muscle promptly and entirely pentagonists. The ghost of 'lectricity howls in the bones of our face. "You write what you want / I write what I want." Making Space: Women Artists and Postwar Abstraction. April 15 - August 13, 2017. MOMA. Collage #3, page 41: A constellated spiderweb-map of the third eye. A brain is a folded serpent. Peripheral vision dripping letteral snakespittle: sa / ons / in. / of / [seasoning] / of / on, / [ironing] / ng / w, / ed [winged] / [wedding] / or- / al [oral]. "non-objective / doesn't mean / formless." "& then [page 47] waiting an hour / in order to arrive in AMERICA / to get into the golden toilet." Collage #4: physiology of central nervous system again. Quasi-calligraphic space-glyphs writing the visual cortex.   -    Jim Leftwich

Excerpt from postscript: This is a collection of free-wheeling improvisational linked poems written by steve dalachinsky & Yuko Otomo in a collaborative process. Non-Italic lines indicate dalachinsky’s writing and Italic lines indicate Otomo’s. The front cover collage and all four collages inside the book were done collaboratively between dalachinsky and Otomo. Together they visited art exhibits during the summer of 2017 and found inspiration for this book.



ISBN 9781938521379





Jake Berry

"Phaneagrams – with its near-minimalist poetics and extraordinary compression of language – is a tremendous achievement. It is a successor to the expansive, visionary lineage of the Dante-Blake-Whitman continuum." - DeVillo Sloan

"Jake Berry, visionary of the present, bringing the present back to us from its mutated nightmare future. Rescuing the past from a fictional present built on nostalgia for a fictional past. In fragments of aphorisms. In small zen-like stories told in the lyric mode of Williams and Creeley. That fact tells us what, exactly what, about living in these times. There are no alternative facts. This is not the post-truth era. The voice of William Blake is everywhere in these poems, He carries /the old abyss /in his chest. A piece of an aphorism, aphorisms in pieces... tells us, tell us... why and how "aphorism" shares an etymolo-gical history with "horizon": Wheels the tongue /miraculous; the salamander /dreams /feathered wings." - Jim Leftwich



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RASCIBLE & KEMPT, vol. 3, by Jim Leftwich

rascible & kempt: meditations and explorations in and around the poem Vol. 3


256 PP., $20



This 3rd volume of Jim Leftwich's unique and ground-breaking examination of the explosion of marginal literatures can also be seen, like the first 2, as an example of that literature. It has an enormous variety of approaches to language-based arts that are ignored by the academies, the publishers, and the cliques that make up the dominant worlds of letters today. This exciting art, of which Leftwich is also a practitioner, is what will shape the literary world of the future, and his documentation of it is, and will be, of immense value. He takes on this extraordinary material in extensive real and imagined conversations, exhaustive discussions and contextualizations, detailed analyses, bibliographic documentation, and other approaches difficult to categorize, because the categories for it do not yet exist. These 3 essential books open a portal to a world of major literary creation, a world that is, for the moment, largely invisible.

- John M. Bennett


Future Prometheans, Rascible & Kempt is as much a training manual as it is a mechanism to reignite the fires of poetry.

- Michael Peters






Live at The AfterMAF Festival, July 2016, Roanoke, Virginia


Poetry, improvisational sound poetry, improvisational music.

Audio CD - $10.00





John M. Bennett

John M. Bennett's poetry encapsulates the chaos characterizing our experience of and in this world, giving it a form and presence in words, phonemes, languages, and metaphor so compact and multi-meaningful, so ambiguous, that his poems glitter in their condensed expressive emotionality. The result is a universe that is gritty, carnal, and at the same time metaphysical and sublime, resonating in multiple worlds, cultures, times, and consciousnesses. Bennett does not “write poetry”, but uses poetry as a means of understanding and creating what cannot be understood and what cannot exist, but does very much exist in these pages. In the over 50 years of his writing, he has published more than 400 books and chapbooks, each quite different, yet distinctly Bennett, and has developed a startling variety of innovative techniques and approaches. His Select Poems appeared in 2016.


"I believe that the broom closet is where John M. Bennet's words hide. Bennet's language, immersed in buckets of wetness, emerge from the closet, carried by Fantasia's Micky Wizard's brooms in intense exponential rigor. They spill as poetry, endlessly over the edge and down the stairs of the effervescent fountains of life's dark and mysterious castles."

Sinclair Scripa /Tara Verheide



286 pp., cream paper


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